::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
::
::
::
- WHAT'S RATTLIN' ?
-
::
:: The Weekly
Digest for Canterbury Music
Addicts ::
::
Issue #
109
::
::
Saturday, November 7th,
1998
::
::
::
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
-------------------------------------------------------------------------
From: Mark HEWINS <hewins@musart.co.uk>
Subject: Re: WR#107/8 (specifically e.rabin/milos)
Date: Thu, 29 Oct 1998 11:01:10 +0000
Hello Aymeric, and interested others.
The question of DIGITAL BOOTLEGGING (ie CDR and DAT etc.)
needs addressing IMMIDIATELY. The fact that someone was
advertising to copy in *Digital* form (not good old
audio-cassette); COPYRIGHT MATERIAL THAT BELONGS TO SOMEONE ELSE
(in this case Elton Dean) is a breach of the trust the Musicians
put in you (the people that like Canterbury Music). In purely
legal terms, the copyright contract printed on any record, 'any
unaurthorized performance etc.'; which was entered into when the
record was originally bought, has also been breached.
Take careful note;
This was sent to us for publication on the web by ELTON
DEAN; NO words have been changed and you can tell by the tone of
the letter what HE thinks of BOOTLEGGERS and SHOPLIFTERS.
-------------------BEGIN
It has come to my attention that certain individuals are
actually advertising their intentions of 'digital bootlegging' my
recorded material. This is not only illegal but immoral -
depriving me of my mechanical and artistic royalties which are the
mainstay of my income. Without them I would struggle even more
than I do already. I find it hard to believe that so-called 'fans'
have the audacity to indulge in such blatant theft. If you want to
deal with my Music, then you must talk with Me.
ELTON DEAN 22 October 1998
c/o
7 Farleigh Rd.
Stoke Newington,
LONDON N16
--------------END
I hope this makes the situation clear from the Musicians
point of view to all those interested in Canterbury Music.
Digital Bootlegging is THEFT
P&L>M
-------------------------------------------------------------------------
From: "Luna Negra S.C."
<lunanegr@sjr.podernet.com.mx>
Subject: Favourites
Date: Wed, 28 Oct 1998 12:05:27 -0600
Hi, my friends:
Hope you're all o.k.
<davidlayton@earthlink.net> wrote about his
favourite Canterbury recordings...
>
> 1. Soft Machine - Third
> 2. Soft Machine - Fourth
> 3. Caravan - In The Land Of Grey And Pink
> 4. Khan - Space Shanty
> 5. Gong - Angel's Egg
> 6. Caravan - New Symphonia
> 7. Gong - You
> 8. Hatfield And The North - The Rotters' Club
> 9. Steve Hillage - Fish Rising
> 10. National Health - Of Queues And Cures
Sounds nice! but I just can't live without "Sudden Dusk"
(HOWEVER), "Hopes and Fears" (ART BEARS) and "The Naked
Shakespeare" (PETER BLEVGAD).
I haven't heard KHAN so I thing I'd better check them out!
And, there's more:
Does anybody know if there's any Canterbury related
LASERDISC available?
Keep in touch
Juan José Salas R.
LUNA NEGRA, S.C.
lunanegr@sjr.podernet.com.mx
Support The Bassoonist Club! (For Lindsay)
-------------------------------------------------------------------------
From: (Peter Lemer)
Subject: Paraphernalia Newsletter
Date: Thu, 29 Oct 98 14:04 GMT0
Hi Aymeric!
If this is interesting I have a Barbara Thompson/Jon
Hiseman newsletter:
A Paraphernalia tourlist is still being designed.
Newsletter Autumn '98
Over the last few months Barbara and Jon have been busy
recording. A new album with Evelyn Glennie entitled Rhythms of the
Gods based on fragments of ancient Greek music and poetry, is now
in it's mixing stage and will be released in 1999. Barbara
wrote the music originally for a commission from Eastern Arts. The
work features Evelyn on her array of drums and tuned
percussion, Barbara on saxophones, clarinet and flute, and
Philip Smith on grand piano. Jon is producing.
The new Paraphernalia album, Shifting Sands has now been
completed and is scheduled for release November '98. Barbara
has written the album with contributions from pianist Peter
Lemer, as a series of musical adventures, inspired by a
combination of traditional jazz influences and modern
techniques underscored by the creative rhythm section of Jon
Hiseman and Paul Westwood, with the addition of the very
talented young violinist Billy Thompson, runner up in Young
Musician of the Year '98 competition. Billy is 24 years old from
S. Wirral. He is very active on the Cardif music scene, where he
gained a BA Hons Degree in Music at the Welsh College of Music
& Drama, studying with Keith Tippett. The violin was very much
an integral part of the Paraphernalia sound in the early days.
Paraphernalia's European tour starts in Germany on
January 20th '99. The group will then tour in Austria,
Switzerland, & Eastern Europe, finishing up in the UK from May
25th.
Barbara & Jon also are founder members of The United
Jazz & Rock Ensemble, the German based 10 piece group,
featuring Albert Mangelsdorf, Wolfgang Dauner, Kenny Wheeler, Ian
Carr & Christof Lauer, which is recording live in
Kaiserslautern in Germany on January 15th/17th '99, and will then
tour from November 18th - December 5th '99
Neil Ardley, with whom Barbara started her playing career
in the 60's is back on the music scene for three re-union concerts
of Kaleidoscope of Rainbows:
March '99 :
Fri 27th The Stables, Wavendon
Sat 27th Turner Sims Hall, Southampton
Sun 28th Blackheath Concert Halls
Kaleidoscope of Rainbows features Barbara, Tony Coe, Art
Theman & Phil Todd on reeds, Ian Carr on trumpet together with
his group Nucleus and Trevor Tompkins on percussion.
Temple Music, P.O.Box 141, Sutton, Surrey SM2 5JU
fax: 0181 642 8692
E-Mail: bt@templebt.demon.co.uk
-------------------------------------------------------------------------
From: Rich Williams <punkjazz@snet.net>
Subject: Peter Lemer
Date: Thu, 29 Oct 1998 12:10:33 -0500
[In WR#108, Aymeric Leroy <bigbang@alpes-net.fr>
wrote:]
> I spent most of Monday afternoon shopping with Peter
Lemer, who was looking
> for rap/techno CDs and comics for his 13-year-old
son. While walking around
> town we came upon a "Jazz Museum" which we visited,
and discovered they
> actually had a copy of Peter's solo album (a jazz
quintet record) from
> 1966. Peter told me the original master tapes to that
album have just been
> recovered, along with bonus material. So a new CD
reissue may be released
> sometime in the future.
Actually this is a fairly common item(at least here in the
states). The entire ESP catalog was reissued on CD a few years
back, and even though the license has now expired and been
acquired by someone else, there are still quite a few copies
floating around stores and at various net dealers.
The catalog # is ESP 1057 and the title is local colour.
It features Jon Hiseman on drums, and the sax is credited to one
Nisar Ahmed Khan. (I've often wondered if this was the same person
as George Khan, of Mirage and Ruth is Stranger than Richard
fame.... sounds like him anyway)
RW
[Yes, Nisar Ahmad "George" Khan is indeed one person - AL]
-------------------------------------------------------------------------
From: mihra@cerbernet.co.uk (Roger Bunn)
Subject: LONDON VENUE?
Date: Thu, 29 Oct 1998 01:55:03 +0000
A permanent music venue in London?
I have a contact that will host "jazz" on a Sunday. Nice
place. Close to Heathrow. It will have a small budget.. maybe
chrage on the door too.
Let me think about this for a while. But IF there are any
old Canterburians or progressive rockers interested in this. Which
would commence around February next year. They should
contact me.
at
Policy Office
Music Industry Human Rights Association
UK Homepage http://www.cerbernet.co.uk/mihra
US Satellite http://www.212.net / roger@212.net
General Email Mihra@cerbernet.co.uk / tel 011 44 181 742
2803
Mihra was founded during UN50 to advance and protect
creators rights in a cultural market monopolised by the six member
recording / publishing Cartel. Mihra's roots are in music
and anti-racism and it has called for a sports boycott of both
Indonesia and Burma for the Sydney 2000 Olympic Games.
-------------------------------------------------------------------------
From: "MELLOW RECORDS Ltd." <"mellow@sistel.it;
mellow"@pangea.it>
Subject: CANTERBURY TRIBUTE
Date: Sat, 31 Oct 1998 10:32:26 -0800
Here are the artists confirmed for the moment:
TILION (ITALY) Can't belong now (Caravan)
SYNTETHIC BLOCK (USA) The soft weed factor (Soft Machine)
PHIL BEANE (USA) Spring any day now (Fred Frith)
KUNDALINI (SWEDEN) Crumble (Hugh Hopper)
PATRICK FORGAS (FRANCE) Hope for happiness (Soft Machine)
HOSTSONATEN (ITALY) Sea song (Robert Wyatt)
NOSTALGIA (ITALY) At last I'm free (Robert Wyatt)
NICK LOEBNER Place of my own (Caravan)
Thank you.
--
Dr. Mauro Moroni
President
http://www.pangea.it/music/mellow
-------------------------------------------------------------------------
From: AMathes737@aol.com
Subject: WR-An Open Letter on The state of Canterbury
music
Date: Sun, 1 Nov 1998 11:42:26 EST
Listening to Pip Pyle's Seven Year Itch got me thinking
about the future of our favorite music. Specifically, the track
SEVEN SISTERS which opens the CD with the time honored tradition
of a Pyle lyric sung by Richard Sinclair moves me to write this
open letter to all of you. I love this track more than the
9,000th version of "For Richard", more than the latest Phil Miller
jazz outing, more than another rehashing of a 9th generation GONG
line-up, more than the newest Stewart-Gaskin souped-up pop
song. Why? Because in my humble opinion it represents the
very best Canterbury has to offer: The merging of jazz, pop,
amusing and literate lyrics, tricky phrasing, shifting time
signatures, superior and inventive musicianship all wrapped up in
a neat and (nearly perfect) package sung by one of the two or
three voices that really sets this music apart from any other.(You
know who the others are) I'm probably not the only listener
who felt let down NOT to hear Richard singing more songs on Pip's
CD. As good as Jakko, Greaves and Gaskin are (and I was
especially impressed with Jakko), it seemed as if they were merely
stand-ins for thre Real Thing. Sorry, and no insult intended
because I have bought and enjoyed music by these other musicians
on their own outings.
Am I saying that I miss the unique and mysteriously
intriguing musical entity that was once known as Hatfield and the
North? You bet I am. Now I know that these individuals are
separated by geographical as well psychological mountain ranges.
But SEVEN SISTERS proves that they can be brought together through
the magic of DAT machines and other technological devices to
record engaging and totally satisfying music. More than that, REAL
Canterbury music, not a pale imitation.
So to all of you who listed a Hatfield LP as one of the 3
great Canterbury records, I challenge you to come forth in this
forum and demand MORE! Maybe if enough of us ask for it the
musicians will respond and even get funded by one of these new
labels spending all their resources digging up embarrassing old
stuff the musicians never wanted out in the first place. (Anybody
really think Anthony Moore's OUT needed to come out?!) Spend your
money on NEW GOOD STUFF that we really want. Ask for more or
I swear you'll end up buying a CD of Carvavan's greatest hits
played on pennywhistles and kazoos. Or, we could just sit at
our computers for the next ten years reviewing and
discussing THE PAST. Listen to the lyrics of the Sinclair
/Pyle song What's Rattlin' that was wisely chosen to name this
board. The musicians want to make NEW music. It's OK to say
goodbye to the past but not to the very character that
makes this music unique. So in closing I say let's have more
music like SEVEN SISTERS, and Richard it's time to come back and
let us hear more of your singing! In any case PIP, nice
effort, next time don't take 7 years. There ought to be more
support from us and the labels for projects like Caravan of
Dreams, Shleep, and Pip's that move the tradition forward, not
backward.
What do you think?
Allen Mathes
-------------------------------------------------------------------------
From: Rob Kimber <Rob.Kimber@btinternet.com>
Subject: Gong and related bands
Date: Sat, 31 Oct 1998 17:31:58 -0000
After having gentle perused through this weeks WR issue I
am astonished to find no mention of upcoming UK gigs. Most of you
rattlers seem more concerned about topping up your own collections
and gallavanting around Europe. For the psychedelic folk rock jazz
fan that has not many coins to chink in his pokect, this is not
much excitement.
There is a Gong/related bands concert/whatever they are
calling it at Totnes (Devon, UK) on Dec 08 and Dec 18 Chagfor
Devon. Not sure if that's the right way around or date wise but
hey check Gong's official homepage that's where I got the info.
I notice even the editor does not have these dates in the
forthcoming gigs?:-) It would be nice if MORE UK venues
could be in.
Rob
[You perfectly have the right to consider yourself not
well-informed by WR but (1) hey, this is a free service, I don't
earn my living doing this (2) if you have the missing info, you
may as well give us the complete facts - from your message I don't
even know what band you're referring to... - AL]
-------------------------------------------------------------------------
From: Lokizak@aol.com
Subject: Caravan In The News
Date: Sun, 1 Nov 1998 12:37:14 EST
I was surprised to open the entertainment seciton of the
Sunday San Francisco
Examiner a couple of weeks ago and actually see a mention
about Caravan.
While it is not much, I thought the list might enjoy
seeing it:
"Last week we mentioned that the forthcoming Metallica DVD
"Cunning Stunts"
borrowed its title from a Cows album. Turns out the phrase
was used at least
once before that, by the group Caravan in 1975".
I can't take credit for the correction. I can only wish
that the reference
was to the new Caravan album. But is there an unknown
Caravan - Metallica
connection? The mind boggles.
Dick Archbold
-------------------------------------------------------------------------
From: lolorec@aol.com (LOLOREC)
Subject: Bon Lozaga/Vic Stevens shows
Date: 2 Nov 1998 04:03:49 GMT
Guitarist Bon Lozaga (Gongzilla) along will percussionist
Glen Leonard will be performing at the following shows. These are
"Sonic Abandon" shows with electric and acoustic guitars, loops,
strangeness, etc.
Fri. Nov. 6
Steel City
Bridge & Main St., Phoenixville, PA
610-933-0709 Showtime 9 PM
Sat. Nov. 14
Knitting Factory
74 Leonard St., New York, N.Y.
212-219-3006 Showtime 9PM
Drummer Vic Stevens will also be performing with his
project called Threshold.
This trio feature Kermit Driscoll on bass and Alex
Domshcott on guitar.
-------------------------------------------------------------------------
From: Michael Bloom <MHB@MITVMA.MIT.EDU>
Subject: Canterbury Favourites
Date: Mon, 02 Nov 98 11:42:02 EST
[In WR#105, Aymeric Leroy wrote:]
>I think it would be interesting for all of us if
subscribers mentioned
>their one (or two or three, possibly not more)
favourite Canterbury,
>PROVIDED they argue WHY they are their favourites, in
a few sentences
Sorry, I'm well behind in my E-mail, and most of the rest
of my life.
I vote for Hatfield and the North's THE ROTTERS CLUB, for
several reasons:
1) Hatfield's personnel was the convergence of several
Canterbury strains: Richard Sinclair from Caravan, Phil Miller
from Delivery via Matching Mole, Pip Pyle from Delivery via Gong,
and Dave Stewart from the non-Canterbury but very Soft-influenced
Egg.
2) Hatfield's compositions exemplify the characteristic
Canterbury humor. Obviously the lyrics are all uproarious-- and
Pyle's "Fitter Stoke" also paints a typically goofy self-portrait
a la Robert Wyatt-- but the purely instrumental pieces also have
that sparkle. It is impossible for me to listen to this record
without grinning.
3) Yet as ear-friendly as they are, these are
astonishingly complex tunes. The structure of "Mumps," with its
numerous themes and intricate variations, defies analysis. The
chord changes to "Underdub" are pretty bewildering. Dave Stewart's
synth solo in "Share It" is a miracle of miniaturization.
One could surely make all the same arguments for the
Hatfield debut, and I'm tempted, especially when I think of
"Homerton." (Has anyone MIDIfied that yet?) But I think The
Rotters Club benefits from that additional year of ensemble polish
and is just that hair's breadth better.
-------------------------------------------------------------------------
From: Mark HEWINS <hewins@musart.co.uk>
Subject: Concert
Date: Mon, 02 Nov 1998 17:49:13 +0000
Dear Aymeric
Here's some details of our Concert;
which will be recorded for a CD release
12th Nov; London Jazz Festival
***** MASH ****
Shyamal Maïtra & Mark Hewins
with CAROL GRIMES
AT;
Lauderdale House
Highgate Hill London N6
0181-341-2032
----
8:00pm - £5.00
Also the pamphlet
http://musart.co.uk/org/grimes/pic/leef.gif
http://musart.co.uk/org/grimes/pic/leaf.gif
http://musart.co.uk/noticbd.htm
Thanks
P&L>M
∞∞∞ MARK HEWINS ∞∞∞
<
http://www.musart.co.uk/hewins.htm >
(try the new CHORD PICKER)
< http://www.musart.co.uk/script/chords.htm >
∞∞∞
∞∞∞
-------------------------------------------------------------------------
More Gong & related gig info from the GAS website:
Gigs firming up nicely into 1999.
* Daevid is playing the odd one in Australia with all
manner of musicians.
* Steffe is working on a couple of gigs in the NW States,
that is still at the talking phase.
* Also being talked about: Gong german tour and also a
travelling festival of fooles in 1999 called THE PATH OF THE SEVEN
MOONS - which will feature Gong, Kangaroo Moon and others.
* Brainville dates in N.Europe and the UK, and Daevid solo
UK dates.
* Also the invisible opera company is currently discussing
a 'pixie power' package tour of europe with the spacegoats. Can't
really be clearer than that at the moment. We'll have the details
up on this site as soon as it happens.
-------------------------------------------------------------------------
From: Earl Rapp <donnamx@waterw.com>
Subject: Elton Dean
Date: Wed, 4 Nov 1998 11:11:51 -0500 (EST)
Hello Rattlers:
I picked up Elton Dean's re-release of "Just Us"
originally released in 72 with bonus live tracks.
This is a must for all of the Canterbury jazz fans on this
forum. The playing is, as then, great.
The cast on the cd is an all-star get together of Elton,
Mark Charig, Neville Whitehead, Phil Howard, Mike Ratledge, Roy
Babbington, Nick Evans, Jeff Green and Louis Moholo
Try this cd on for size if you like Elton, Softs circa
3,4,5, & 6
Best Wishes:
Earl Rapp
http://www.waterw.com/~donnamx/
-------------------------------------------------------------------------
From: "47.watt" <47.watt@iol.it>
Subject: Wyatt's documentary is ready
Date: Fri, 06 Nov 1998 18:24:27 +0200
Ciao.
I'm Carlo Bevilacqua one of the director of Robert Wyatt's
documentary.Do you remember about me ?
The documentary is ready. We have presented it at Turin
and it was really exiting. Robert Wyatt, Cutler, Frith and
many others was there.
In an interwiew Robert said also : - This movie have saved
my life because with this movie i remember who I was been and who
I am now, I'm a musician .-
The Italian press are talking a lot about the film and the
Tribute that CPI have made.
Have you visited the CPI web site ? http://www.cpi.it/
.There's also an exhibition of "Videogrammi" (pictures from the
vide )
the address is :
http://www.geocities.com/SoHo/3738/little.htm
ciao
carlo bevilacqua
-------------------------------------------------------------------------
From: David R Ashcraft <105704.1431@compuserve.com>
Subject: John Etheridge update
Date: Fri, 6 Nov 1998 23:55:56 -0500
Aymeric:
Belated thanks for the excellent John Etheridge interview
of several months ago. While his Canterbury connection may be
somewhat tenuous, he is an unbelievably talented and tasteful
guitarist who IMHO should be as famous as the guy that he
succeeded in Soft Machine (Alan Holdsworth).
Here's what he's up to these days:
John is touring with classical violinist Kennedy (he's
dropped the "Nigel") and doing an amazing Bach/Bartok/Hendrix
composition of Nigel's (oops, I mean Kennedy). The classical
critic here in Chicago gave it an absolutely outstanding review
(and I missed the show as I didn't know who was performing with
Kennedy).
I wanted to let anyone else here in the states know about
the show so that if they come to your town you won't suffer the
same fate as I did and miss it!
BTW, having recently discovered the 1993 Etheridge/Andy
Summers duo acoustic CD entitled "Invisible Threads" it is a
highly recommended release, tuneful and tasteful. Check out Andy's
power trio disc entitled "The Last Dance of Mr. X" for some great
guitar and cranking versions of some cool Blue Note style jazz.
All three Wolf discs (Darryl Way's band) feature great
playing from Etheridge, esp. their final realease, "Night Music",
with a wonderful composition from John called "Flat 2-55" that
foreshadows his sterling work on "Softs" and the live Soft Machine
album (both more in the fusion than the progressive vein).
Regards from the windy city,
David
PS: The review in the Chicago Tribune listed the other
guitarist as "Douglas Boyle". Is this the same guy as the
Caravan guitarist? If so I REALLY missed a good gig!!
[Yes, it is the same guy ! This tour is actually why Doug
wasn't at the recent Caravan gig at London's Astoria, and was
"replaced" by Jimmy Hastings... See below for the complete Kennedy
US tour itinerary - AL]
-------------------------------------------------------------------------
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
*
FORTHCOMING CANTERBURY-RELATED
CONCERTS
*
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
[for more info : check out the 'Concerts' page of CALYX -
see URL below]
CARAVAN
[Hastings-Sinclair-Richardson-Coughlan-Hastings-Leverton-Boyle-Bentall]
Dec 10 - Dublin, Vicar Street
POLYSONS FEAT. HUGH HOPPER - SOFT MACHINE COVERS
Dec 08 - St.Germain-en-Laye (France), La Clef
MARK HEWINS/SHYAMAL MAITRA/CAROL GRIMES
Nov 12 - London Jazz Festival, Lansdown House
DIDIER MALHERBE/PIERRE BENSUSAN
Nov 27 - Paris (France), New Morning
Dec 05 - Alençon (France), La Luciole [tel:
02.33.32.83.33]
Dec 15-17 - Paris (France), Satellit'Café [D.Malherbe
solo]
Jan 22 - Elancourt (France), venue unknown [tel:
01.30.51.53.54]
Jan 23 - Montereau (France), venue unknown [tel:
01.64.70.44.14]
Feb 26 - Valenciennes (France), Théatre le Phoenix [tel:
03.27.32.32.00]
Feb 27 - Faches-Tumesnil [near Lille] (France), Les
Arcades [tel: 03.20.62.96.96]
Mar 06 - Jarny (France), Espace Gérard Philippe [tel:
03.82.33.12.25]
NIGEL KENNEDY GROUP "BACH, BARTOK & HENDRIX" - US TOUR
[feat. John Etheridge & Doug Boyle]
Nov 08 - Washington, DC
Nov 09 - Ithaca, NY (Cornell University)
Nov 10 - Newark, NJ (NJPAC)
Nov 12 - Nashville, TN (Vanderbilt Univ.)
Nov 14 - Houston, TX
Nov 15 - Texas A&M Univ. Rudder Auditorium
Nov 17 - Saratoga, CA
Nov 18 - Las Vegas, NV
Nov 20 - PAlm Desert, CA
Nov 21 - Los Angeles, CA
Nov 22 - Cerritos, CA
Nov 23 - San Fransisco, CA
Nov 27 - Portland, OR
Nov 28 - Seattle, WA
Nov 29 - Vancouver (Canada), Orpheum
HERE & NOW
Nov 27 - Cheltenham, Axiom Centre
CHRIS CUTLER with various projects
Nov 14 - Berlin (Germany), venue unknown [with Lutz
Glandien]
Nov 16 - Krakow (Poland), Audio Art Festival [with P53]
Nov 19 - Paris (France), Instants Chavirés [with Tony
Buck/JM Montera/JJ Pauvros]
FORGAS BAND PHENOMENA
Nov 17 - Paris (France), Peniche 'Le 6/8' [tel:
143.807.454]
GLOBAL
Dec 18 - Chagford (Devon), Jubilee Hall
WITCH
Dec 12 - Totnes (Devon), Seven Stars Hotel
And a plug for our Kobaians friends:
MAGMA
Nov 27 - St.Nazaire (44) (France)
Nov 28 - St.Quentin (02) (France)
* * * * * * * * * * * * * * * * * * * * * * * * * * * * *
* * * * * * * *
END OF ISSUE 109
_________________________________________________________________________
WHAT'S RATTLIN' ?
- WHAT'S RATTLIN'
? - WHAT'S
RATTLIN' ?
_________________________________________________________________________
CALYX - The Canterbury Website
http://www.alpes-net.fr/~bigbang/calyx.html
THE ULTIMATE ONLINE CANTERBURY DISCOGRAPHY
http://www.alpes-net.fr/~bigbang/cantdisco.html
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_________________________________________________________________________